Plot Junkie

Just finishing one. more. chapter.

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Beautiful old travel guide from 1880, purchased at Parnassus Books on Cape Cod.

Beautiful old travel guide from 1880, purchased at Parnassus Books on Cape Cod.

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nouvelliste:

We tell ourselves stories in order to live… We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience. - Joan Didion

nouvelliste:

We tell ourselves stories in order to live… We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience. - Joan Didion

(via madamebovarysdisease-deactivate)

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Helmer:
I would gladly work night and day for you. Nora - bear sorrow and want for your sake. But no man would sacrifice his honour for the one he loves.
Nora:
It is a thing hundreds of thousands of women have done.

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To sit alone in the lamplight with a book spread out before you, and hold intimate converse with men of unseen generations - such is a pleasure beyond compare. ~Kenko Yoshida

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Expected to love it… But I just sort of “liked” it. And even that emotion is a bit qualified. And here’s why— the setting of the story was fabulous—exciting and intricately plotted and quite inventive. And there are all these really unique characters…but they were all a bit bloodless. I think it was something about the writing style, a little too journalistic or something, everything—emotion, drama, terror, love, panic—seemed filtered or distant. Kept reading, but only barely. 

Three tapers. Well plotted, execution didn’t do it for me.

Expected to love it… But I just sort of “liked” it. And even that emotion is a bit qualified. And here’s why— the setting of the story was fabulous—exciting and intricately plotted and quite inventive. And there are all these really unique characters…but they were all a bit bloodless. I think it was something about the writing style, a little too journalistic or something, everything—emotion, drama, terror, love, panic—seemed filtered or distant. Kept reading, but only barely.

Three tapers. Well plotted, execution didn’t do it for me.